Wednesday, September 10, 2008

Alfred Kubin: Drawings 1897-1909

An exhibition of Alfred Kubin's drawings 1897 - 1909 will be held by the Neue Galerie in NYC, September 25th, 2008 - January 26th, 2009. It will be the first exhibition of Kubin's graphic work in North America. A fantastic illustrated catalogue is available for purchase.

Here are a few samples from the exhibit. First, The Last King 1902. This was chosen as the front cover of the catalogue. Next, brace yourself for Self-Observation 1901-2, one of those indelible disturbing grotesques of Kubin's that may cause irreversible psychic trauma, forever etched unto your mind's eye. Below you will find Dying 1899. A nice example of the melancholia and macabre weirdness that infects all of Kubin's work like a morose virus.

The Last King 1902

Self-Observation 1901-2

Dying 1899

In addition to the Neue Gallery exhibition, the Fine Arts Museum Of San Francisco has a large collection of Kubins work posted for online perusal. Both websites are on my Links Of Interest list.

Sunday, September 7, 2008

Homoeroticism In The Art Of John Singer Sargent

Was John Singer Sargent a homosexual? It has been suggested by art historian Trevor J. Fairbrother that the gentle eroticism of Sargent's male nudes is evidence of his homosexual tendencies.

This beautiful portrait of the 28 year old dandy W. Graham Robertson from 1894 has been much discussed as an example of an homoerotic aesthetic in Sargent's portraits of elegant young gentlemen.

Sargent was much sought after as a portrait painter among the elite of society because he made men look dashing and women look beautiful. The sensual beauty of his portraits of both men and women caused some comment. Some even called his portraits indecent.

Because of it's depiction of an apparently sexually liberated woman in a low cut gown, his portrait of New Orleans socialite Madame Pierre Gautreau caused quite a scandal in 1884. Sargent later changed the title to Portrait of Madame X to protect the models reputation and fled to England.

While in exile abroad Sargent associated with such flambouyant homosexuals as the great Oscar Wilde and the famous dandy Robert de Montesquiou.

By all accounts a quietly reserved and intensely private man, Sargent is said to have had close friendships with men and flirtations with women but no great relationships to speak of. His letters and other personal papers were destroyed by his family after his death. Therefore the only evidence we have about his sexuality is his work itself.

These sketches of male nudes were never exibited during Sargent's lifetime. They provide compelling evidence for Mr. Fairbrother's hypothesis, which I must say I am inclined to agree with.

The erotic quality of Sargent's male nudes is undeniable. Much of this work was never shown, although Sargent's murals in public buildings often feature a few writhing naked men.

Painted near the end of his life, this masterpiece called Nude Study Of Thomas E. McKeller, was found in Sargent's studio at the time of his death. It's a nude portrait of one of his favorite models and is one of the most compelling examples of homoeroticism in all of his work.

I can't help wondering why his family destroyed all his letters and personal papers after his death.