From "Affairs of the Heart" by Pseudo-Lucian

I pray that it may for ever be my lot in life to sit opposite my dear one and hear close to me his sweet voice, to go out when he goes out and share every activity with him. And so a lover might well pray that his cherished one should journey to old age without any sorrow through a life free from stumbling or swerving, without having experienced at all any malicious spite of Fortune. But, if in accordance with the law governing the human body, illness should lay its hand on him, I shall ail with him when he is weak, and, when he puts out to sea through stormy waves, I shall sail with him. And, should a violent tyrant bind him in chains, I shall put the same fetters around myself. All who hate him will be my enemies and those well disposed to him shall I hold dear. Should I see bandits or foemen rushing upon him, I would arm myself even beyond my strength, and if he dies, I shall not bear to live. I shall give final instructions to those I love next best after him to pile up a common tomb for both of us, to unite my bones with his and not to keep even our dumb ashes apart from each other.


Source:

Affairs of the Heart, Pseudo-Lucian, tr. A.M. Harmon

The Old Men of the Twilight by William Butler Yeats

 At the place, close to the Dead Man's Point, at the Rosses, where the disused pilot-house looks out to sea through two round windows like eyes, a mud cottage stood in the last century. It also was a watchhouse, for a certain old Michael Bruen, who had been a smuggler in his day, and was still the father and grandfather of smugglers, lived there, and when, after nightfall, a tall schooner crept over the bay from Roughley, it was his business to hang a horn lanthorn in the southern window, that the news might travel to Dorren's Island, and from thence, by another horn lanthorn, to the village of the Rosses. But for this glimmering of messages, he had little communion with mankind, for he was very old, and had no thought for anything but for the making of his soul, at the foot of the Spanish crucifix of carved oak that hung by his chimney, or bent double over the rosary of stone beads brought to him a cargo of silks and laces out of France. One night he had watched hour after hour, because a gentle and favourable wind was blowing, and La Mere de Misericorde was much overdue; and he was about to lie down upon his heap of straw, seeing that the dawn was whitening the east, and that the schooner would not dare to round Roughley and come to an anchor after daybreak; when he saw a long line of herons flying slowly from Dorren's Island and towards the pools which lie, half choked with reeds, behind what is called the Second Rosses. He had never before seen herons flying over the sea, for they are shore-keeping birds, and partly because this had startled him out of his drowsiness, and more because the long delay of the schooner kept his cupboard empty, he took down his rusty shot-gun, of which the barrel was tied on with a piece of string, and followed them towards the pools.

When he came close enough to hear the sighing of the rushes in the outermost pool, the morning was grey over the world, so that the tall rushes, the still waters, the vague clouds, the thin mists lying among the sand-heaps, seemed carved out of an enormous pearl. In a little he came upon the herons, of whom there were a great number, standing with lifted legs in the shallow water; and crouching down behind a bank of rushes, looked to the priming of his gun, and bent for a moment over his rosary to murmur: 'Patron Patrick, let me shoot a heron; made into a pie it will support me for nearly four days, for I no longer eat as in my youth. If you keep me from missing I will say a rosary to you every night until the pie is eaten.' Then he lay down, and, resting his gun upon a large stone, turned towards a heron which stood upon a bank of smooth grass over a little stream that flowed into the pool; for he feared to take the rheumatism by wading, as he would have to do if he shot one of those which stood in the water. But when he looked along the barrel the heron was gone, and, to his wonder and terror, a man of infinitely great age and infirmity stood in its place. He lowered the gun, and the heron stood there with bent head and motionless feathers, as though it had slept from the beginning of the world. He raised the gun, and no sooner did he look along the iron than that enemy of all enchantment brought the old man again before him, only to vanish when he lowered the gun for the second time. He laid the gun down, and crossed himself three times, and said a Paternoster and an Ave Maria, and muttered half aloud: 'Some enemy of God and of my patron is standing upon the smooth place and fishing in the blessed water,' and then aimed very carefully and slowly. He fired, and when the smoke had gone saw an old man, huddled upon the grass and a long line of herons flying with clamour towards the sea. He went round a bend of the pool, and coming to the little stream looked down on a figure wrapped in faded clothes of black and green of an ancient pattern and spotted with blood. He shook his head at the sight of so great a wickedness. Suddenly the clothes moved and an arm was stretched upwards towards the rosary which hung about his neck, and long wasted fingers almost touched the cross. He started back, crying: 'Wizard, I will let no wicked thing touch my blessed beads'; and the sense of a The Old great danger just escaped made him tremble.

'If you listen to me,' replied a voice so faint that it was like a sigh, 'you will know that I am not a wizard, and you will let me kiss the cross before I die.'

'I will listen to you,' he answered, 'but I will not let you touch my blessed beads,' and sitting on the grass a little way from the dying man, he reloaded his gun and laid it across his knees and composed himself to listen.

'I know not how many generations ago we, who are now herons, were the men of learning of the King Leaghaire; we neither hunted, nor went to battle, nor listened to the Druids preaching, and even love, if it came to us at all, was but a passing fire. The Druids and the poets told us, many and many a time, of a new Druid Patrick; and most among them were fierce against him, while a few thought his doctrine merely the doctrine of the gods set out in new symbols, and were for giving him welcome; but we yawned in the midst of their tale. At last they came crying that he was coming to the king's house, and fell to their dispute, but we would listen to neither party, for we were busy with a dispute about the merits of the Great and of the Little Metre; nor were we disturbed when they passed our door with sticks of enchantment under their arms, travelling towards the forest to contend against his coming, nor when they returned after nightfall with torn robes and despairing cries; for the click of our knives writing our thoughts in Ogham filled us with peace and our dispute filled us with joy; nor even when in the morning crowds passed us to hear the strange Druid preaching the commandments of his god. The crowds passed, and one, who had laid down his knife to yawn and stretch himself, heard a voice speaking far off, and knew that the Druid Patrick was preaching within the king's house; but our hearts were deaf, and we carved and disputed and read, and laughed a thin laughter together. In a little we heard many feet coming towards the house, and presently two tall figures stood in the door, the one in white, the other in a crimson robe; like a great lily and a heavy poppy; and we knew the Druid Patrick and our King Leaghaire. We laid down the slender knives and bowed before the king, but when the black and green robes had ceased to rustle, it was not the loud rough voice of King Leaghaire that spoke to us, but a strange voice in which there was a rapture as of one speaking from behind a battlement of Druid flame: "I preached the commandments of the Maker of the world," it said; "within the king's house and from the centre of the earth to the windows of Heaven there was a great silence, so that the eagle floated with unmoving wings in the white air, and the fish with unmoving fins in the dim water, while the linnets and the wrens and the sparrows stilled there ever-trembling tongues in the heavy boughs, and the clouds were like white marble, and the rivers became their motionless mirrors, and the shrimps in the far-off sea-pools were still enduring eternity in patience, although it was hard." And as he named these things, it was like a king numbering his people. "But your slender knives went click, click! upon the oaken staves, and, all else being silent, the sound shook the angels with anger. O, little roots, nipped by the winter, who do not awake although the summer pass above you with innumerable feet. O, men who have no part in love, who have no part in song, who have no part in wisdom, but dwell with the shadows of memory where the feet of angels cannot touch you as they pass over your heads, where the hair of demons cannot sweep about you as they pass under your feet, I lay upon you a curse, and change you to an example for ever and ever; you shall become grey herons and stand pondering in grey pools and flit over the world in that hour when it is most full of sighs, having forgotten the flame of the stars and not yet found the flame of the sun; and you shall preach to the other herons until they also are like you, and are an example for ever and ever; and your deaths shall come to you by chance and unforeseen, that no fire of certainty may visit your hearts."'

The voice of the old man of learning became still, but the voteen bent over his gun with his eyes upon the ground, trying in vain to understand something of this tale; and he had so bent, it may be for a long time, had not a tug at his rosary made him start out of his dream. The old man of learning had crawled along the grass, and was now trying to draw the cross down low enough for his lips to reach it.

'You must not touch my blessed beads, cried the voteen, and struck the long withered fingers with the barrel of his gun. He need not have trembled, for the old man fell back upon the grass with a sigh and was still. He bent down and began to consider the black and green clothes, for his fear had begun to pass away when he came to understand that he had something the man of learning wanted and pleaded for, and now that the blessed beads were safe, his fear had nearly all gone; and surely, he thought, if that big cloak, and that little tight-fitting cloak under it, were warm and without holes, Saint Patrick would take the enchantment out of them and leave them fit for human use. But the black and green clothes fell away wherever his fingers touched them, and while this was a new wonder, a slight wind blew over the pool and crumbled the old man of learning and all his ancient gear into a little heap of dust, and then made the little heap less and less until there was nothing but the smooth green grass.

Source: 

The Secret Rose by W. B. Yeats

The City of Dreadful Night

I sat forlornly by the river-side,
And watched the bridge-lamps glow like golden stars
Above the blackness of the swelling tide,
Down which they struck rough gold in ruddier bars;
And heard the heave and plashing of the flow
Against the wall a dozen feet below.

Large elm-trees stood along that river-walk;
And under one, a few steps from my seat,
I heard strange voices join in stranger talk,
Although I had not heard approaching feet:
These bodiless voices in my waking dream
Flowed dark words blending with sombre stream:—

And you have after all come back; come back.
I was about to follow on your track.
And you have failed: our spark of hope is black.

That I have failed is proved by my return:
The spark is quenched, nor ever more will burn,
But listen; and the story you shall learn.

I reached the portal common spirits fear,
And read the words above it, dark yet clear,
"Leave hope behind, all ye who enter here:"

And would have passed in, gratified to gain
That positive eternity of pain
Instead of this insufferable inane.

A demon warder clutched me, Not so fast;
First leave your hopes behind!—But years have passed
Since I left all behind me, to the last:

You cannot count for hope, with all your wit,
This bleak despair that drives me to the Pit:
How could I seek to enter void of it?

He snarled, What thing is this which apes a soul,
And would find entrance to our gulf of dole
Without the payment of the settled toll?

Outside the gate he showed an open chest:
Here pay their entrance fees the souls unblest;
Cast in some hope, you enter with the rest.

This is Pandora's box; whose lid shall shut,
And Hell-gate too, when hopes have filled it; but
They are so thin that it will never glut.

I stood a few steps backwards, desolate;
And watched the spirits pass me to their fate,
And fling off hope, and enter at the gate.

When one casts off a load he springs upright,
Squares back his shoulders, breathes will all his might,
And briskly paces forward strong and light:

But these, as if they took some burden, bowed;
The whole frame sank; however strong and proud
Before, they crept in quite infirm and cowed.

And as they passed me, earnestly from each
A morsel of his hope I did beseech,
To pay my entrance; but all mocked my speech.

No one would cede a little of his store,
Though knowing that in instants three or four
He must resign the whole for evermore.

So I returned. Our destiny is fell;
For in this Limbo we must ever dwell,
Shut out alike from heaven and Earth and Hell.

The other sighed back, Yea; but if we grope
With care through all this Limbo's dreary scope,
We yet may pick up some minute lost hope;

And sharing it between us, entrance win,
In spite of fiends so jealous for gross sin:
Let us without delay our search begin.

Source:

The City of Dreadful Night by Francis Thomson

Sredni Vashtar by Saki

 Conradin was ten years old, and the doctor had pronounced his professional opinion that the boy would not live another five years. The doctor was silky and effete, and counted for little, but his opinion was endorsed by Mrs. de Ropp, who counted for nearly everything. Mrs. De Ropp was Conradin's cousin and guardian, and in his eyes she represented those three-fifths of the world that are necessary and disagreeable and real; the other two-fifths, in perpetual antagonism to the foregoing, were summed up in himself and his imagination. One of these days Conradin supposed he would succumb to the mastering pressure of wearisome necessary things—such as illnesses and coddling restrictions and drawn-out dullness. Without his imagination, which was rampant under the spur of loneliness, he would have succumbed long ago.

Mrs. de Ropp would never, in her honestest moments, have confessed to herself that she disliked Conradin, though she might have been dimly aware that thwarting him "for his good" was a duty which she did not find particularly irksome. Conradin hated her with a desperate sincerity which he was perfectly able to mask. Such few pleasures as he could contrive for himself gained an added relish from the likelihood that they would be displeasing to his guardian, and from the realm of his imagination she was locked out—an unclean thing, which should find no entrance.

In the dull, cheerless garden, overlooked by so many windows that were ready to open with a message not to do this or that, or a reminder that medicines were due, he found little attraction. The few fruit-trees that it contained were set jealously apart from his plucking, as though they were rare specimens of their kind blooming in an arid waste; it would probably have been difficult to find a market-gardener who would have offered ten shillings for their entire yearly produce. In a forgotten corner, however, almost hidden behind a dismal shrubbery, was a disused tool-shed of respectable proportions, and within its walls Conradin found a haven, something that took on the varying aspects of a playroom and a cathedral. He had peopled it with a legion of familiar phantoms, evoked partly from fragments of history and partly from his own brain, but it also boasted two inmates of flesh and blood. In one corner lived a ragged-plumaged Houdan hen, on which the boy lavished an affection that had scarcely another outlet. Further back in the gloom stood a large hutch, divided into two compartments, one of which was fronted with close iron bars. This was the abode of a large polecat-ferret, which a friendly butcher-boy had once smuggled, cage and all, into its present quarters, in exchange for a long-secreted hoard of small silver. Conradin was dreadfully afraid of the lithe, sharp-fanged beast, but it was his most treasured possession. Its very presence in the tool-shed was a secret and fearful joy, to be kept scrupulously from the knowledge of the Woman, as he privately dubbed his cousin. And one day, out of Heaven knows what material, he spun the beast a wonderful name, and from that moment it grew into a god and a religion. The Woman indulged in religion once a week at a church near by, and took Conradin with her, but to him the church service was an alien rite in the House of Rimmon. Every Thursday, in the dim and musty silence of the tool-shed, he worshipped with mystic and elaborate ceremonial before the wooden hutch where dwelt Sredni Vashtar, the great ferret. Red flowers in their season and scarlet berries in the winter-time were offered at his shrine, for he was a god who laid some special stress on the fierce impatient side of things, as opposed to the Woman's religion, which, as far as Conradin could observe, went to great lengths in the contrary direction. And on great festivals powdered nutmeg was strewn in front of his hutch, an important feature of the offering being that the nutmeg had to be stolen. These festivals were of irregular occurrence, and were chiefly appointed to celebrate some passing event. On one occasion, when Mrs. de Ropp suffered from acute toothache for three days, Conradin kept up the festival during the entire three days, and almost succeeded in persuading himself that Sredni Vashtar was personally responsible for the toothache. If the malady had lasted for another day the supply of nutmeg would have given out.

The Houdan hen was never drawn into the cult of Sredni Vashtar. Conradin had long ago settled that she was an Anabaptist. He did not pretend to have the remotest knowledge as to what an Anabaptist was, but he privately hoped that it was dashing and not very respectable. Mrs. de Ropp was the ground plan on which he based and detested all respectability.

After a while Conradin's absorption in the tool-shed began to attract the notice of his guardian. "It is not good for him to be pottering down there in all weathers," she promptly decided, and at breakfast one morning she announced that the Houdan hen had been sold and taken away overnight. With her short-sighted eyes she peered at Conradin, waiting for an outbreak of rage and sorrow, which she was ready to rebuke with a flow of excellent precepts and reasoning. But Conradin said nothing: there was nothing to be said. Something perhaps in his white set face gave her a momentary qualm, for at tea that afternoon there was toast on the table, a delicacy which she usually banned on the ground that it was bad for him; also because the making of it "gave trouble," a deadly offence in the middle-class feminine eye.

"I thought you liked toast," she exclaimed, with an injured air, observing that he did not touch it.

"Sometimes," said Conradin.

In the shed that evening there was an innovation in the worship of the hutch-god. Conradin had been wont to chant his praises, to-night he asked a boon.

"Do one thing for me, Sredni Vashtar."

The thing was not specified. As Sredni Vashtar was a god he must be supposed to know. And choking back a sob as he looked at that other empty corner, Conradin went back to the world he so hated.

And every night, in the welcome darkness of his bedroom, and every evening in the dusk of the tool-shed, Conradin's bitter litany went up: "Do one thing for me, Sredni Vashtar."

Mrs. de Ropp noticed that the visits to the shed did not cease, and one day she made a further journey of inspection.

"What are you keeping in that locked hutch?" she asked. "I believe it's guinea-pigs. I'll have them all cleared away."

Conradin shut his lips tight, but the Woman ransacked his bedroom till she found the carefully hidden key, and forthwith marched down to the shed to complete her discovery. It was a cold afternoon, and Conradin had been bidden to keep to the house. From the furthest window of the dining-room the door of the shed could just be seen beyond the corner of the shrubbery, and there Conradin stationed himself. He saw the Woman enter, and then he imagined her opening the door of the sacred hutch and peering down with her short-sighted eyes into the thick straw bed where his god lay hidden. Perhaps she would prod at the straw in her clumsy impatience. And Conradin fervently breathed his prayer for the last time. But he knew as he prayed that he did not believe. He knew that the Woman would come out presently with that pursed smile he loathed so well on her face, and that in an hour or two the gardener would carry away his wonderful god, a god no longer, but a simple brown ferret in a hutch. And he knew that the Woman would triumph always as she triumphed now, and that he would grow ever more sickly under her pestering and domineering and superior wisdom, till one day nothing would matter much more with him, and the doctor would be proved right. And in the sting and misery of his defeat, he began to chant loudly and defiantly the hymn of his threatened idol:

Sredni Vashtar went forth,
His thoughts were red thoughts and his teeth were white.
His enemies called for peace, but he brought them death.
Sredni Vashtar the Beautiful.

And then of a sudden he stopped his chanting and drew closer to the window-pane. The door of the shed still stood ajar as it had been left, and the minutes were slipping by. They were long minutes, but they slipped by nevertheless. He watched the starlings running and flying in little parties across the lawn; he counted them over and over again, with one eye always on that swinging door. A sour-faced maid came in to lay the table for tea, and still Conradin stood and waited and watched. Hope had crept by inches into his heart, and now a look of triumph began to blaze in his eyes that had only known the wistful patience of defeat. Under his breath, with a furtive exultation, he began once again the paean of victory and devastation. And presently his eyes were rewarded: out through that doorway came a long, low, yellow-and-brown beast, with eyes a-blink at the waning daylight, and dark wet stains around the fur of jaws and throat. Conradin dropped on his knees. The great polecat-ferret made its way down to a small brook at the foot of the garden, drank for a moment, then crossed a little plank bridge and was lost to sight in the bushes. Such was the passing of Sredni Vashtar.

"Tea is ready," said the sour-faced maid; "where is the mistress?"

"She went down to the shed some time ago," said Conradin.

And while the maid went to summon her mistress to tea, Conradin fished a toasting-fork out of the sideboard drawer and proceeded to toast himself a piece of bread. And during the toasting of it and the buttering of it with much butter and the slow enjoyment of eating it, Conradin listened to the noises and silences which fell in quick spasms beyond the dining-room door. The loud foolish screaming of the maid, the answering chorus of wondering ejaculations from the kitchen region, the scuttering footsteps and hurried embassies for outside help, and then, after a lull, the scared sobbings and the shuffling tread of those who bore a heavy burden into the house.

"Whoever will break it to the poor child? I couldn't for the life of me!" exclaimed a shrill voice. And while they debated the matter among themselves, Conradin made himself another piece of toast.

Source:

The Chronicles of Clovis by Saki (H.H. Munro)

A Cat's Friendship

A Cat's friendship is a hard thing to conquer. Cats are philosophical animals - sedate, quiet, fixed in their habits, true believers in decency and order, and not at all given to the bestowing of a thoughtless affection. They will be your friend if you prove worthy of friendship; but they will never be your slaves. Even in moments of tenderness a cat preserves his freedom of will, and cannot be made to comply with demands which seem to him unreasonable. But once he surrenders himself to you as a friend, what absolute confidence he gives! what fidelity of affection! He constitutes himself the companion of your solitary hours, of your melancholy, of your work. He will pass whole evenings purring on your knees, happy in your company, and forsaking that of animals of his own species. In vain do enticing mews re-echo from the roofs, calling him to one of those cat soirees where juicy red herrings take the place of tea. He will not be tempted away, and shares your vigil to the end. If you put him on the floor, he jumps back to his place with a murmuring noise that is like a soft reproach. Sometimes, standing near, he looks at you with his eyes so full of melting tenderness, so loving and so human, that you are half frightened; for it seems impossible, that in such a regard reason can be lacking.

- Theophile Gautier


Source:

My Household of Pets, Théophile Gautier, tr. Susan Coolidge, Boston, Roberts Brothers, 1882.

The New Colossus

Not like the brazen giant of Greek fame,
With conquering limbs astride from land to land;
Here at our sea-washed, sunset gates shall stand
A mighty woman with a torch, whose flame
Is the imprisoned lightning, and her name
Mother of Exiles. From her beacon-hand
Glows world-wide welcome; her mild eyes command
The air-bridged harbor that twin cities frame.
“Keep, ancient lands, your storied pomp!” cries she
With silent lips. “Give me your tired, your poor,
Your huddled masses yearning to breathe free,
The wretched refuse of your teeming shore.
Send these, the homeless, tempest-tossed to me,
I lift my lamp beside the golden door!”

- Emma Lazarus, 1883.

On the Death of Joseph Rodman Drake by Fitz-Greene Halleck

Green be the turf above thee,

Friend of my better days!

None knew thee but to love thee,

Nor named thee but to praise.

Tears fell, when thou wert dying,

From eyes unused to weep,

And long where thou art lying,

Will tears the cold turf steep.

When hearts, whose truth was proven,

Like thine, Are laid in earth,

There should a wreath be woven

To tell the world their worth;

And I who woke each morrow

To clasp thy hand in mine,

Who shared thy joy and sorrow,

Whose weal and woe were thine:

It should be mine to braid it

Around thy faded brow,

But I've in vain essayed it,

And feel I can not know.

While memory bids me weep thee,

Nor thoughts nor words are free,

That grief is fixed too deeply

That mourns a man like thee.

Fitz-Greene Halleck (1790–1867)