Sredni Vashtar

 Conradin was ten years old, and the doctor had pronounced his professional opinion that the boy would not live another five years. The doctor was silky and effete, and counted for little, but his opinion was endorsed by Mrs. de Ropp, who counted for nearly everything. Mrs. De Ropp was Conradin's cousin and guardian, and in his eyes she represented those three-fifths of the world that are necessary and disagreeable and real; the other two-fifths, in perpetual antagonism to the foregoing, were summed up in himself and his imagination. One of these days Conradin supposed he would succumb to the mastering pressure of wearisome necessary things—such as illnesses and coddling restrictions and drawn-out dullness. Without his imagination, which was rampant under the spur of loneliness, he would have succumbed long ago.

Mrs. de Ropp would never, in her honestest moments, have confessed to herself that she disliked Conradin, though she might have been dimly aware that thwarting him "for his good" was a duty which she did not find particularly irksome. Conradin hated her with a desperate sincerity which he was perfectly able to mask. Such few pleasures as he could contrive for himself gained an added relish from the likelihood that they would be displeasing to his guardian, and from the realm of his imagination she was locked out—an unclean thing, which should find no entrance.

In the dull, cheerless garden, overlooked by so many windows that were ready to open with a message not to do this or that, or a reminder that medicines were due, he found little attraction. The few fruit-trees that it contained were set jealously apart from his plucking, as though they were rare specimens of their kind blooming in an arid waste; it would probably have been difficult to find a market-gardener who would have offered ten shillings for their entire yearly produce. In a forgotten corner, however, almost hidden behind a dismal shrubbery, was a disused tool-shed of respectable proportions, and within its walls Conradin found a haven, something that took on the varying aspects of a playroom and a cathedral. He had peopled it with a legion of familiar phantoms, evoked partly from fragments of history and partly from his own brain, but it also boasted two inmates of flesh and blood. In one corner lived a ragged-plumaged Houdan hen, on which the boy lavished an affection that had scarcely another outlet. Further back in the gloom stood a large hutch, divided into two compartments, one of which was fronted with close iron bars. This was the abode of a large polecat-ferret, which a friendly butcher-boy had once smuggled, cage and all, into its present quarters, in exchange for a long-secreted hoard of small silver. Conradin was dreadfully afraid of the lithe, sharp-fanged beast, but it was his most treasured possession. Its very presence in the tool-shed was a secret and fearful joy, to be kept scrupulously from the knowledge of the Woman, as he privately dubbed his cousin. And one day, out of Heaven knows what material, he spun the beast a wonderful name, and from that moment it grew into a god and a religion. The Woman indulged in religion once a week at a church near by, and took Conradin with her, but to him the church service was an alien rite in the House of Rimmon. Every Thursday, in the dim and musty silence of the tool-shed, he worshipped with mystic and elaborate ceremonial before the wooden hutch where dwelt Sredni Vashtar, the great ferret. Red flowers in their season and scarlet berries in the winter-time were offered at his shrine, for he was a god who laid some special stress on the fierce impatient side of things, as opposed to the Woman's religion, which, as far as Conradin could observe, went to great lengths in the contrary direction. And on great festivals powdered nutmeg was strewn in front of his hutch, an important feature of the offering being that the nutmeg had to be stolen. These festivals were of irregular occurrence, and were chiefly appointed to celebrate some passing event. On one occasion, when Mrs. de Ropp suffered from acute toothache for three days, Conradin kept up the festival during the entire three days, and almost succeeded in persuading himself that Sredni Vashtar was personally responsible for the toothache. If the malady had lasted for another day the supply of nutmeg would have given out.

The Houdan hen was never drawn into the cult of Sredni Vashtar. Conradin had long ago settled that she was an Anabaptist. He did not pretend to have the remotest knowledge as to what an Anabaptist was, but he privately hoped that it was dashing and not very respectable. Mrs. de Ropp was the ground plan on which he based and detested all respectability.

After a while Conradin's absorption in the tool-shed began to attract the notice of his guardian. "It is not good for him to be pottering down there in all weathers," she promptly decided, and at breakfast one morning she announced that the Houdan hen had been sold and taken away overnight. With her short-sighted eyes she peered at Conradin, waiting for an outbreak of rage and sorrow, which she was ready to rebuke with a flow of excellent precepts and reasoning. But Conradin said nothing: there was nothing to be said. Something perhaps in his white set face gave her a momentary qualm, for at tea that afternoon there was toast on the table, a delicacy which she usually banned on the ground that it was bad for him; also because the making of it "gave trouble," a deadly offence in the middle-class feminine eye.

"I thought you liked toast," she exclaimed, with an injured air, observing that he did not touch it.

"Sometimes," said Conradin.

In the shed that evening there was an innovation in the worship of the hutch-god. Conradin had been wont to chant his praises, to-night he asked a boon.

"Do one thing for me, Sredni Vashtar."

The thing was not specified. As Sredni Vashtar was a god he must be supposed to know. And choking back a sob as he looked at that other empty corner, Conradin went back to the world he so hated.

And every night, in the welcome darkness of his bedroom, and every evening in the dusk of the tool-shed, Conradin's bitter litany went up: "Do one thing for me, Sredni Vashtar."

Mrs. de Ropp noticed that the visits to the shed did not cease, and one day she made a further journey of inspection.

"What are you keeping in that locked hutch?" she asked. "I believe it's guinea-pigs. I'll have them all cleared away."

Conradin shut his lips tight, but the Woman ransacked his bedroom till she found the carefully hidden key, and forthwith marched down to the shed to complete her discovery. It was a cold afternoon, and Conradin had been bidden to keep to the house. From the furthest window of the dining-room the door of the shed could just be seen beyond the corner of the shrubbery, and there Conradin stationed himself. He saw the Woman enter, and then he imagined her opening the door of the sacred hutch and peering down with her short-sighted eyes into the thick straw bed where his god lay hidden. Perhaps she would prod at the straw in her clumsy impatience. And Conradin fervently breathed his prayer for the last time. But he knew as he prayed that he did not believe. He knew that the Woman would come out presently with that pursed smile he loathed so well on her face, and that in an hour or two the gardener would carry away his wonderful god, a god no longer, but a simple brown ferret in a hutch. And he knew that the Woman would triumph always as she triumphed now, and that he would grow ever more sickly under her pestering and domineering and superior wisdom, till one day nothing would matter much more with him, and the doctor would be proved right. And in the sting and misery of his defeat, he began to chant loudly and defiantly the hymn of his threatened idol:

Sredni Vashtar went forth,
His thoughts were red thoughts and his teeth were white.
His enemies called for peace, but he brought them death.
Sredni Vashtar the Beautiful.

And then of a sudden he stopped his chanting and drew closer to the window-pane. The door of the shed still stood ajar as it had been left, and the minutes were slipping by. They were long minutes, but they slipped by nevertheless. He watched the starlings running and flying in little parties across the lawn; he counted them over and over again, with one eye always on that swinging door. A sour-faced maid came in to lay the table for tea, and still Conradin stood and waited and watched. Hope had crept by inches into his heart, and now a look of triumph began to blaze in his eyes that had only known the wistful patience of defeat. Under his breath, with a furtive exultation, he began once again the paean of victory and devastation. And presently his eyes were rewarded: out through that doorway came a long, low, yellow-and-brown beast, with eyes a-blink at the waning daylight, and dark wet stains around the fur of jaws and throat. Conradin dropped on his knees. The great polecat-ferret made its way down to a small brook at the foot of the garden, drank for a moment, then crossed a little plank bridge and was lost to sight in the bushes. Such was the passing of Sredni Vashtar.

"Tea is ready," said the sour-faced maid; "where is the mistress?"

"She went down to the shed some time ago," said Conradin.

And while the maid went to summon her mistress to tea, Conradin fished a toasting-fork out of the sideboard drawer and proceeded to toast himself a piece of bread. And during the toasting of it and the buttering of it with much butter and the slow enjoyment of eating it, Conradin listened to the noises and silences which fell in quick spasms beyond the dining-room door. The loud foolish screaming of the maid, the answering chorus of wondering ejaculations from the kitchen region, the scuttering footsteps and hurried embassies for outside help, and then, after a lull, the scared sobbings and the shuffling tread of those who bore a heavy burden into the house.

"Whoever will break it to the poor child? I couldn't for the life of me!" exclaimed a shrill voice. And while they debated the matter among themselves, Conradin made himself another piece of toast.

Source:

The Chronicles of Clovis by Saki (H.H. Munro)

A Cat's Friendship

A Cat's friendship is a hard thing to conquer. Cats are philosophical animals - sedate, quiet, fixed in their habits, true believers in decency and order, and not at all given to the bestowing of a thoughtless affection. They will be your friend if you prove worthy of friendship; but they will never be your slaves. Even in moments of tenderness a cat preserves his freedom of will, and cannot be made to comply with demands which seem to him unreasonable. But once he surrenders himself to you as a friend, what absolute confidence he gives! what fidelity of affection! He constitutes himself the companion of your solitary hours, of your melancholy, of your work. He will pass whole evenings purring on your knees, happy in your company, and forsaking that of animals of his own species. In vain do enticing mews re-echo from the roofs, calling him to one of those cat soirees where juicy red herrings take the place of tea. He will not be tempted away, and shares your vigil to the end. If you put him on the floor, he jumps back to his place with a murmuring noise that is like a soft reproach. Sometimes, standing near, he looks at you with his eyes so full of melting tenderness, so loving and so human, that you are half frightened; for it seems impossible, that in such a regard reason can be lacking.

- Theophile Gautier


Source:

My Household of Pets, Théophile Gautier, tr. Susan Coolidge, Boston, Roberts Brothers, 1882.

The New Colossus

Not like the brazen giant of Greek fame,
With conquering limbs astride from land to land;
Here at our sea-washed, sunset gates shall stand
A mighty woman with a torch, whose flame
Is the imprisoned lightning, and her name
Mother of Exiles. From her beacon-hand
Glows world-wide welcome; her mild eyes command
The air-bridged harbor that twin cities frame.
“Keep, ancient lands, your storied pomp!” cries she
With silent lips. “Give me your tired, your poor,
Your huddled masses yearning to breathe free,
The wretched refuse of your teeming shore.
Send these, the homeless, tempest-tossed to me,
I lift my lamp beside the golden door!”

- Emma Lazarus, 1883.

The Mutilation of Uranus by Giorgio Vasari, 1555.

Related reading:

The Theogony of Hesiod, translated by Hugh G. Evelyn-White, 1914.

Lovis Corinth, Crucified Thief, 1883

Where the tides ebb and flow

Illustration by Sidney Sime

I dreamt that I had done a horrible thing, so that burial was to be denied me either in soil or sea, neither could there be any hell for me.

I waited for some hours, knowing this. Then my friends came for me, and slew me secretly and with ancient rite, and lit great tapers, and carried me away.

It was all in London that the thing was done, and they went furtively at dead of night along grey streets and among mean houses until they came to the river. And the river and the tide of the sea were grappling with one another between the mud-banks, and both of them were black and full of lights. A sudden wonder came in to the eyes of each, as my friends came near to them with their glaring tapers. All these things I saw as they carried me dead and stiffening, for my soul was still among my bones, because there was no hell for it, and because Christian burial was denied me.

They took me down a stairway that was green with slimy things, and so came slowly to the terrible mud. There, in the territory of forsaken things, they dug a shallow grave. When they had finished they laid me in the grave, and suddenly they cast their tapers to the river. And when the water had quenched the flaring lights the tapers looked pale and small as they bobbed upon the tide, and at once the glamour of the calamity was gone, and I noticed then the approach of the huge dawn; and my friends cast their cloaks over their faces, and the solemn procession was turned into many fugitives that furtively stole away.

Then the mud came back wearily and covered all but my face. There I lay alone with quite forgotten things, with drifting things that the tides will take no farther, with useless things and lost things, and with the horrible unnatural bricks that are neither stone nor soil. I was rid of feeling, because I had been killed, but perception and thought were in my unhappy soul. The dawn widened, and I saw the desolate houses that crowded the marge of the river, and their dead windows peered into my dead eyes, windows with bales behind them instead of human souls. I grew so weary looking at these forlorn things that I wanted to cry out, but could not, because I was dead. Then I knew, as I had never known before, that for all the years that herd of desolate houses had wanted to cry out too, but, being dead, were dumb. And I knew then that it had yet been well with the forgotten drifting things if they had wept, but they were eyeless and without life. And I, too, tried to weep, but there were no tears in my dead eyes. And I knew then that the river might have cared for us, might have caressed us, might have sung to us, but he swept broadly onwards, thinking of nothing but the princely ships.

At last the tide did what the river would not, and came and covered me over, and my soul had rest in the green water, and rejoiced and believed that it had the Burial of the Sea. But with the ebb the water fell again, and left me alone again with the callous mud among the forgotten things that drift no more, and with the sight of all those desolate houses, and with the knowledge among all of us that each was dead.

In the mournful wall behind me, hung with green weeds, forsaken of the sea, dark tunnels appeared, and secret narrow passages that were clamped and barred. From these at last the stealthy rats came down to nibble me away, and my soul rejoiced thereat and believed that he would be free perforce from the accursed bones to which burial was refused. Very soon the rats ran away a little space and whispered among themselves. They never came any more. When I found that I was accursed even among the rats I tried to weep again.

Then the tide came swinging back and covered the dreadful mud, and hid the desolate houses, and soothed the forgotten things, and my soul had ease for a while in the sepulture of the sea. And then the tide forsook me again.

To and fro it came about me for many years. Then the County Council found me, and gave me decent burial. It was the first grave that I had ever slept in. That very night my friends came for me. They dug me up and put me back again in the shallow hold in the mud.

Again and again through the years my bones found burial, but always behind the funeral lurked one of those terrible men who, as soon as night fell, came and dug them up and carried them back again to the hole in the mud.

And then one day the last of those men died who once had done to me this terrible thing. I heard his soul go over the river at sunset.

And again I hoped.

A few weeks afterwards I was found once more, and once more taken out of that restless place and given deep burial in sacred ground, where my soul hoped that it should rest.

Almost at once men came with cloaks and tapers to give me back to the mud, for the thing had become a tradition and a rite. And all the forsaken things mocked me in their dumb hearts when they saw me carried back, for they were jealous of me because I had left the mud. It must be remembered that I could not weep.

And the years went by seawards where the black barges go, and the great derelict centuries became lost at sea, and still I lay there without any cause to hope, and daring not to hope without a cause, because of the terrible envy and the anger of the things that could drift no more.

Once a great storm rode up, even as far as London, out of the sea from the South; and he came curving into the river with the fierce East wind. And he was mightier than the dreary tides, and went with great leaps over the listless mud. And all the sad forgotten things rejoiced, and mingled with things that were haughtier than they, and rode once more amongst the lordly shipping that was driven up and down. And out of their hideous home he took my bones, never again, I hoped, to be vexed with the ebb and flow. And with the fall of the tide he went riding down the river and turned to the southwards, and so went to his home. And my bones he scattered among many isles and along the shores of happy alien mainlands. And for a moment, while they were far asunder, my soul was almost free.

Then there arose, at the will of the moon, the assiduous flow of the tide, and it undid at once the work of the ebb, and gathered my bones from the marge of sunny isles, and gleaned them all along the mainland's shores, and went rocking northwards till it came to the mouth of the Thames, and there turned westwards its relentless face, and so went up the river and came to the hole in the mud, and into it dropped my bones; and partly the mud covered them, and partly it left them white, for the mud cares not for its forsaken things.

Then the ebb came, and I saw the dead eyes of the houses and the jealousy of the other forgotten things that the storm had not carried thence.

And some more centuries passed over the ebb and flow and over the loneliness of things for gotten. And I lay there all the while in the careless grip of the mud, never wholly covered, yet never able to go free, and I longed for the great caress of the warm Earth or the comfortable lap of the Sea.

Sometimes men found my bones and buried them, but the tradition never died, and my friends' successors always brought them back. At last the barges went no more, and there were fewer lights; shaped timbers no longer floated down the fairway, and there came instead old wind-uprooted trees in all their natural simplicity.

At last I was aware that somewhere near me a blade of grass was growing, and the moss began to appear all over the dead houses. One day some thistledown went drifting over the river.

For some years I watched these signs attentively, until I became certain that London was passing away. Then I hoped once more, and all along both banks of the river there was anger among the lost things that anything should dare to hope upon the forsaken mud. Gradually the horrible houses crumbled, until the poor dead things that never had had life got decent burial among the weeds and moss. At last the may appeared and the convolvulus. Finally, the wild rose stood up over mounds that had been wharves and warehouses. Then I knew that the cause of Nature had triumphed, and London had passed away.

The last man in London came to the wall by the river, in an ancient cloak that was one of those that once my friends had worn, and peered over the edge to see that I still was there. Then he went, and I never saw men again: they had passed away with London.

A few days after the last man had gone the birds came into London, all the birds that sing. When they first saws me they all looked sideways at me, then they went away a little and spoke among themselves.

"He only sinned against Man," they said; "it is not our quarrel."

"Let us be kind to him," they said.

Then they hopped nearer me and began to sing. It was the time of the rising of the dawn, and from both banks of the river, and from the sky, and from the thickets that were once the streets, hundreds of birds were singing. As the light increased the birds sang more and more; they grew thicker and thicker in the air above my head, till there were thousands of them singing there, and then millions, and at last I could see nothing but a host of flickering wings with the sunlight on them, and little gaps of sky. Then when there was nothing to be heard in London but the myriad notes of that exultant song, my soul rose up from the bones in the hole in the mud and began to climb heavenwards. And it seemed that a lane-way opened amongst the wings of the birds, and it went up and up, and one of the smaller gates of Paradise stood ajar at the end of it. And then I knew by a sign that the mud should receive me no more, for suddenly I found that I could weep.

At this moment I opened my eyes in bed in a house in London, and outside some sparrows were twittering in a tree in the light of the radiant morning; and there were tears still wet upon my face, for one's restraint is feeble while one sleeps. But I arose and opened the window wide, and stretching my hands out over the little garden, I blessed the birds whose song had woken me up from the troubled and terrible centuries of my dream.

- Lord Dunsany

Source:

A Dreamer's Tales by Lord Dunsany, 1910

Markest thou what sentry is seated in the doorway? what shape guards the threshold?

Jan Brueghel the Younger, Aeneus and the Sybil in the Underworld, 1630's.

Aeneas looks swiftly back, and sees beneath the cliff on the left hand a wide city, girt with a triple wall and encircled by a racing river of boiling flame, Tartarean Phlegethon, that echoes over its rolling rocks. In front is the gate, huge and pillared with solid adamant, that no warring force of men nor the very habitants of heaven may avail to overthrow; it stands up a tower of iron, and Tisiphone sitting girt in bloodstained pall keeps sleepless watch at the entry by night and day. Hence moans are heard and fierce lashes resound, with the clank of iron and dragging chains. Aeneas stopped and hung dismayed at the tumult.

'What shapes of crime are here? declare, O maiden; or what the punishment that pursues them, and all this upsurging wail?'

Then the soothsayer thus began to speak:

'Illustrious chief of Troy, no pure foot may tread these guilty courts; but to me Hecate herself, when she gave me rule over the groves of Avernus, taught how the gods punish, and guided me through all her realm. Gnosian Rhadamanthus here holds unrelaxing sway, chastises secret crime revealed, and exacts confession, wheresoever in the upper world one vainly exultant in stolen guilt hath till the dusk of death kept clear from the evil he wrought. Straightway avenging Tisiphone, girt with her scourge, tramples down the shivering sinners, menaces them with the grim snakes in her left hand, and summons forth her sisters in merciless train. Then at last the sacred gates are flung open and grate on the jarring hinge. Markest thou what sentry is seated in the doorway? what shape guards the threshold? More grim within sits the monstrous Hydra with her fifty black yawning throats: and Tartarus' self gapes sheer and strikes into the gloom through twice the space that one looks upward to Olympus and the skyey heaven. Here Earth's ancient children, the Titans' brood, hurled down by the thunderbolt, lie wallowing in the abyss. Here likewise I saw the twin Aloïds, enormous of frame, who essayed with violent hands to pluck down high heaven and thrust Jove from his upper realm. Likewise I saw Salmoneus in the cruel payment he gives for mocking Jove's flame and Olympus' thunders. Borne by four horses and brandishing a torch, he rode in triumph midway through the populous city of Grecian Elis, and claimed for himself the worship of deity; madman! who would mimic the storm-cloud and the inimitable bolt with brass that rang under his trampling horse-hoofs. But the Lord omnipotent hurled his shaft through thickening clouds (no firebrand his nor smoky glare of torches) and dashed him headlong in the fury of the whirlwind. Therewithal Tityos might be seen, fosterling of Earth the mother of all, whose body stretches over nine full acres, and a monstrous vulture with crooked beak eats away the imperishable liver and the entrails that breed in suffering, and plunges deep into the breast that gives it food and dwelling; nor is any rest given to the fibres that ever grow anew. Why tell of the Lapithae, of Ixion and Pirithoüs? over whom a stone hangs just slipping and just as though it fell; or the high banqueting couches gleam golden-pillared, and the feast is spread in royal luxury before their faces; couched hard by, the eldest of the Furies wards the tables from their touch and rises with torch upreared and thunderous lips. Here are they who hated their brethren while life endured, or struck a parent or entangled a client in wrong, or who brooded alone over found treasure and shared it not with their fellows, this the greatest multitude of all; and they who were slain for adultery, and who followed unrighteous arms, and feared not to betray their masters' plighted hand. Imprisoned they await their doom. Seek not to be told that doom, that fashion of fortune wherein they are sunk. Some roll a vast stone, or hang outstretched on the spokes of wheels; hapless Theseus sits and shall sit for ever, and Phlegyas in his misery gives counsel to all and witnesses aloud through the gloom, Learn by this warning to do justly and not to slight the gods. This man sold his country for gold, and laid her under a tyrant's sway; he set up and pulled down laws at a price; this other forced his daughter's bridal chamber and a forbidden marriage; all dared some monstrous wickedness, and had success in what they dared. Not had I an hundred tongues, an hundred mouths, and a voice of iron, could I sum up all the shapes of crime or name over all their punishments.'


Source:

The Aeneid of Virgil, translated by J.W. Mackail, M.A., London, MacMillan and Co., 1885.